“I've danced with a
man, who's danced with a girl, who's danced with the Prince of Wales” went the 20s song, written before
Edward VIII became King and took a dip in popularity. The case of Jacintha Saldanha, who put through a call to someone
who gave out information about the Duchess of Cambridge, ended far more
tragically than for the flapper chanteuse. Our hunger for remote royal
associations however, seems undimmed.
Speculation about Ms Saldanha (who did not appear to have
courted any sort of publicity in her life) has been rampant on a global scale.
Her suicide led to a huge array of responses: compassionate neutrality on the
part of the royals, self-flagellating guilt from the pranksters, outrage about
the lack of support for the family, and consideration of the limits of free
speech.
How are we to understand such an
act? Not just in this case but whenever it happens? The possible risk factors
for suicide are multiple. Also, as I have argued elsewhere, the potential motivations behind suicide and
self-harm are manifold and complex. The act may be about escape, release,
anger, revenge or a host of other feelings. It may be accidental, perhaps the
seeking of care or an expression of desperation that has gone wrong. People’s
motives can be shifting and not always evident, even to themselves. At this
stage we don’t actually know if Ms Saldanha’s death was linked to the prank call.
Even if one of the three notes she apparently left suggested an association, it would be unlikely to be the whole story. And if she hadn’t drawn such a link? Well then there would be no royal connection to add a frisson. Move on folks. Nothing to see here.
Even if one of the three notes she apparently left suggested an association, it would be unlikely to be the whole story. And if she hadn’t drawn such a link? Well then there would be no royal connection to add a frisson. Move on folks. Nothing to see here.
Respect for an individual’s
motivations and state of mind are central in understanding a suicidal act, and
in helping people who are at risk. A lack of consideration for individual
motivations is not unique to speculation about deaths in the public eye, but
also a gap in the Government's current Suicide
Prevention Strategy. This is an estimable document in many ways, targeting
higher risk groups and stressing the value of psychological help. However, it contains little about how we understand people. Without knowing
what people mean by a suicidal act it is difficult to know the best way to help
them. Should we prevent the act at all costs? We can detain people and take away their means of hurting themselves.
Or perhaps our help should be focused on helping people to understand and start
to bear difficult feelings more independently? I’d argue this is the core
business of all psychological therapies. However, helping people get in touch
with the difficult stuff can feel risky, especially when someone’s life is at
stake.
The Government’s strategy is also based
on the assumption that prevention is ultimately our goal in all circumstances. Of
course someone ending their own life is a tragedy. But is the tragedy the act, or
the pain that led them to it, with suicide as a release? Might there be occasions when we might
actually wish to respect a person’s right to end their life? The issue of assisted suicide
and how we can tolerate it suggests that some people beleive that the act can
be construed as a rational response rather than a sick one.
There is a palpable need to read meaning into Ms Saldanha’s death or to have something good
come out of it. However, our lack of knowledge allows people project their
issues of concern (outrage at breaches of privacy, the failure of hospital
management, discomfort with pranks or excessive fascination with royalty) onto
this act in a way which takes us no closer to understanding it. To be fair, some
of the causes seem worth highlighting (e.g. appropriate support for families).
It’s worth remembering, though, that the Royal Family, and others who choose to
be in the public eye, are the willing recipients of our hopes, fantasies and
discontents. They earn their living by it. Jacintha Saldanha had struck no such bargain and lived a
private life. Perhaps one thing we can do as an appropriate response to her
actions is to extended the courtesy of not assuming we knew who she was, or that
we understand the meaning of her death.
Here is an embedded version to the slideshow linked above. It offers an overview of some of the areas which might be important in a considering suicidal risks.
Here is an embedded version to the slideshow linked above. It offers an overview of some of the areas which might be important in a considering suicidal risks.
A good post. Seeing the amount of speculation about this poor woman's death and the thin connection to Kate really make you wonder about our priorities!
ReplyDeleteI wish the mainstream media had been as reflective and insightful as this piece.
ReplyDeleteIt is important that we accept the individual has the right to end their life and that the distress this causes to family and friends does abrogate that right.I have no idea what possible good could come from this woman's death and wish she had had effective support in a humiliating situation. I do feel uncomfortable with the idea that those who earn their living in the public eye are the willing recipients of our fantasies etc. There are many occupations that involve public attention but I think it is quite unreasonable to demand that because a person wishes to sing or to contribute to political life etc etc they are not entitled to a private personal life. I do not think the Royal family should be entitled to wealth and privilege or conceal hypocrisy but that is a different issue.
ReplyDeleteHi, thanks you for the comments so far. I don't want to imply that going into the public eye abrogates one's right to a private life. I was simply trying to get to something about the function which celebrities perform for us. I think it's something to do with being receptacles for our feelings and fantasies. I certainly am not demanding that that's what they do. I think it's simply the way it is.
ReplyDeleteIt was a little bit of a side issue though. My real point was that woman who killed herself had not signalled any desire for fame or notoriety and that I thus felt uncomfortable with her life being appropriated in the way it was. Though I suppose of course that one could accuse me of doing the same thing in this article.